Tuesday, October 29, 2013
Monday, October 28, 2013
Response to Jenkins
After reading and listening to
some of Jenkins work I had some questions immediately pop into my head about
his writing style. I noticed that when you look at his poem on a page, it
almost looks like a paragraph which was very different to Martin’s style. This wasn’t
so weird but what really made me curious about his voice, and how he found his
voice was when I was listening to him recite his “Fresh Duluth” poem and it
sounded very chopped up, you couldn’t tell that when his poems are on paper
they look like bricks, but when he speaks it sounds very fluid. Some of the
other questions revolved around what his poems want people take away from them.
After reading “Foot ball” I was very confused when he transitioned from “I've
got a receiver open downfield...What the hell is this? This isn't a football,
it's a shoe” and also to “I have
eaten pancakes, for instance, with that clear corn syrup on them because there
was no maple syrup and they weren't very good.” It was hard for me to find a
flow to his poems when I was reading them. This also happened in “the Afterlife”
because while it is titled that I found it hard to make the connections to “afterlife”
throughout his poem, specifically when he writes “She says, "I was never
happy with the way I looked." "The lighting was bad and I was no good
at dialogue," he says."I would have liked to have been a little
taller," she says.” I found it really hard to see some sort of structure
in his poems but maybe that’s because I am on novice level of this poetry video
game. I would really enjoy asking him about his voice, style, and intentions of
a lot of his poems.
Monday, October 21, 2013
Please stop
Please
stop
You’re
sweet,
But
I don’t care.
You
cannot convince me
From
my own truth I’ve created.
My
truth.
Relief
Relief
Hot tears slide down my face,
My hands tremble to answer the phone.
Deep breaths to slow my pace.
The sweet voice talks, I whimper and moan
I can’t seem to focus
Tears return so I look at the sky
In a moment’s notice
A bird shaped cloud had caught my eye
I can’t help but smile,
I am released from anxiety.
Context: I had a really bad volleyball game and my
coaches were really mad at me so I began to have a panic attack on my way home,
my boyfriend called me to try to calm me down but it wasn’t working and as I was
driving I saw this cloud shaped perfectly like a bird and I just felt good and I
wasn’t worried about anything anymore at that moment.
Poem of the Day
Snowball
by Shel Silverstein
I made myself a snow ball as perfect as could be.
I thought I'd keep it as a pet and let it sleep with me.
I made it some pajamas and a pillow for it's head.
Then, last night it ran away.
But first -- it wet the bed.
by Shel Silverstein
I made myself a snow ball as perfect as could be.
I thought I'd keep it as a pet and let it sleep with me.
I made it some pajamas and a pillow for it's head.
Then, last night it ran away.
But first -- it wet the bed.
My lovely stress outlet
My Lovely
Stress Outlet
Cluttered utensils
tap measuring cups,
White sweeteners
dance in sunlight singing through the windows,
My playful
symphony.
Smooth vanilla attracts
sweet rose water
Delicious neutrons
and delightful protons collide
My candied
chemistry.
Silky cream and sugar
slowly condense
So light and so fluffy,
as if the frosting could float
My cotton-candy
clouds.
Precisely prepared
I gaze at my art
Mindlessly lost in
the curved peaks and dim shadows
My lovely stress
outlet
Tuesday, October 15, 2013
Chris Martin Poetry
In Chris Martin’s poetry one thing that stood out to me
as an audience, is that he uses synecdoche, but more specifically he uses body
parts like fingers, hands, and skin to represent the relationships between the
characters. I first noticed this in his poem “Time,” he creates this imagery
between the characters by saying things like, “swollen fingers,” “we gather
fingers into a knot.” Another place where this is seen is in his poem “Surviving
Desires,” by stating “in skin as sometimes,” and once again in “The Science
Fiction of Color” when he states “find my fingers twittering.” Using this type
of device lets the reader see the relationships, and lets the reader create the
scene in their head instead of just saying it. He is showing, not telling which
in his short stanzas increases the power of his poem. I really enjoyed Matin’s
poetry because I found them very intriguing and fascinating to read, I thought
it was fun to subconsciously see the devices he used to create the images in my
mind.
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